If however you do want some colour you can add that using the Drive control (or the emphasis control to focus the colour on the transients only).įor me, it's about leaving the choice to the engineer rather than joining saturation and volume as one inseparable compromise.įor me, it's about leaving the choice to the engineer rather than joining saturation and volume as one inseparable compromise.Demoing this seems like a great option as well.
Similar to other recent comments, my understanding is that most of the effects mentioned here are based on waveshaping, combined with band splitting and / or other techniques.īoost is different in that it allows clean upward limiting without any waveshaping, so you can make it as clean as you like (e.g. The same applies to ExpandĪlso consider Crane Song RA2 (The LOW LEVEL control is useful on most any kind of signal and is a little like upward compression with out attack and release times):īreathe life into your sound, like upward compression Or positive range to apply downward (normal) or upward compression. When the Dynamics Mode is set to Compress, use either a negative FabFilter Pro-MB can apply any kind of dynamics processing per band, using the Dynamics Mode buttons
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